Revolution has always been theater; now the theater is a feed, and the script is written in pixels and blood.

To read Dickinson is to fall, softly and irrevocably, into the mystery of want.

Trans people don’t want to be plot devices, cautionary tales, or punchlines.

These videos claim that they were ‘meant’ to find me. However, they are also ‘meant’ to find thousands of others.

Guided by the direction of Vasilisa Sugak and the eye of Robert Moore, Metamorphosis is both a fashion story and a meditation on identity, resilience, and rebirth.

E reviews what she’s been reading lately: a blend of razor-sharp nonfiction and slow-simmering novels, all by women.

I am the least qualified person to review movies — but, if you’re a movie buff reading this, let me offer a defense for this film all the same.

Good literature — like Station Eleven — reminds us how to resist despair: by building new worlds.

The world is burning, but we don’t really need to turn to nostalgia constantly in order to hide from it.

Moments is a special show. A love-letter to theatre that isn’t inaccessible to non-theatre people. To the lay folks, I’d think it opens their eyes a little to the intricacies of creating theatre. To theatre folk, it’s a beautiful reminder of why we love it so much.

In the age of celebrity worship, biopics face the challenge of capturing the essence of a life on screen. Are they a sincere tribute or a manufactured exploitation?

Thirteen was a foundational film for complex and tender representations of poor women and girls for my generation. After 20 years, it deserves a critical reevaluation.