Author: Sarah L, music, opinion, pop culture, review, Topical

Break Up With Ur Toxic Femininity Ariana, I’m Bored

Last week international sweetheart and overt blackfish Ariana Grande released her fifth album Thank U, Next, and with it her latest single ‘Break Up With Your Girlfriend, I’m Bored’. Taste in Grande’s music aside, can we please discuss what an absolute toxic mess of a song this is?? I was under the impression we were leaving petty girl-on-girl hate in pop music behind for 2019, but I guess Ari didn’t get the memo. You may think that seems ironic given we’re critiquing her right now, but let’s get one thing clear; we’re not hating on Ariana Grande because she’s a woman, or for no good reason. We’re critiquing her for being problematic.

Okay now that’s out of the way, let’s take a look at exactly what is wrong with this song.

 

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author: sarah q, comedy, current events, girls of summer, long read, music, opinion, politics, pop culture, review, Topical

Look What She Made Me Do // Taylor Swift and Marketplace Feminism

Yes, yes, I know – floods, Nazis, everything is terrible right now. But you’d be forgiven for not being entirely in the loop; as I’m sure you all know, there’s been a recent major international event that’s been permeating our consciousness.

Taylor Swift has released a new song!

(Wait guys, there’s more)

The song has a video!

Ring the alarms, the world’s gone crazy.

todrick-hall-taylor-swift-look-what-you-made-me-do-d3091474-4f81-4a37-9e16-a155068ec7d2

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Author: Eileen E., girls of summer, music, pop culture, review

Review: Lana Del Rey’s ‘Lust for Life’

In continuation of our ongoing Girls of Summer music series, E reviews Lana Del Rey’s latest album, Lust for Life.

Beloved dream pop queen Lana Del Rey signaled a shift in her music and mystique with the release of her newest album last weekend. Produced by Polydor/Interscope Records, Lust for Life presents an evolution of Lana’s ‘awakening,’ both personal and political, and dripping with flower-child pastiche.

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girls of summer, guest writer, opinion, pop culture, review

Lorde’s ‘Melodrama’ // On Vulnerability & Power in Pop

Eve Jones examines Lorde’s latest album, Melodrama. Eve is a 19-year-old writer and waitress from Plymouth. Obsessive by nature, she’s always in pursuit of some delicious syntax. This is her first article for Boshemia.

Lorde: explorations of youth and power

In 2013, Lorde, aka Ella Yelich-O’Connor, released her debut album Pure Heroine. Its popularity was hailed by Clash as proof that ‘there’s still an intellectual, polished and important place for pop [music]’. She was 16 at the time. Four years on, Lorde launches back into our minds with Melodrama, which still buzzes with that potential energy—though it hasn’t all been plain-sailing. In a recent interview with The Guardian, she likened her fame-riddled celebrity friendships to ‘having a friend with an autoimmune disease’—‘there are certain places you can’t go together. Certain things you can’t do’. The insensitive analogy received backlash from fans, prompting Lorde to apologise on Twitter. While her conduct has been controversial, her music continues to question youth and power in a dynamic habitat of scorched harmonies, flinty 80s keyboard and lyrical wit.

Image result for melodrama sam mckinnis

‘Melodrama’ by Sam McKinniss

 

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